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“... with grotesques in 16th-century Italy and the style was especially associated with Raphael. Marianne RolandMichel’s monograph on Chardin is more orthodox in conception but also agreeably free of the obfuscations of current academic discourse. It opens with an account of his life and career as a Parisian ...”

“... and, through him, a connection with the French landscape tradition’. Kokkonen quotes a remark by Marianne RolandMichel: ‘the status of landscape painting was totally transformed by the appearance of a new type of landscape painter – of which Joseph Vernet was the model incarnate – and by the enthusiastic ...”